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Matthew Goode and Ben Whishaw in Brideshead Revisited (2008) IMDB On the contrary, Trapido’s novel is funny and endearing it is sometimes sad, but most of all it is unashamedly sexy, even lewd. To anyone who lived through the years spanned by this book, the first part screams 1960s, from Katherine Browne’s little crocheted hats and thigh-high dresses, to the narrative’s pervasive, overt, and at times slightly perverse sexuality.Ĭomparisons with Brideshead Revisited occur because 18-year-old Katherine falls for a family, the Goldmans, but there is no whiff of the doomed melancholy that hangs over the tortured cast of Evelyn Waugh’s book. Neither have nailed its period, though Rosoff comes closest. Semple describes the book as “ Brideshead Revisited meets Sabrina in bohemian 80s London”, and on the back cover, Meg Rosoff also mentions Brideshead, and places it in the 1970s.
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Its young protagonist, Katherine Browne, admits to compensating for her natural timidity “with odd flashes of bravado”.Ī dozen pages in, and it feels as if an unknown hand has casually flicked on every light in the house, inadvertently blowing all the fuses. Irreverent and sweary, undeniably sexy, this coming-of-age novel plunges ahead unselfconsciously and with unusual candour.
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It shimmers among this year’s company of books like some brightly coloured, sharp-witted, mini-skirted dolly bird from the 1960s who has gate-crashed a stuffy dinner party. Few books survive four decades of near-obscurity and still dazzle, but Trapido’s book does just that.